![]() ![]() GLOW Season 3 deals with Ruth’s position in life, with a long-distant boyfriend, and Debbie’s ambition that far outweighs her companion. There’s a sense of reality that performing regularly in a theatre environment that joins with a casino feels isolating rather than prosperous. The hype brought on by the end of the second season feels almost dampened in the opener, with tragedy striking and the characters having to adjust. Las Vegas with all its glitz and glamour is not at all what it is cracked up to be. Season 3 shows the characters in a different world. ![]() The wrestling was the USP for the first season, enhanced in the second season, but for the third, we cared about the characters and their needed development What the writers have realised is that focusing on the wrestling heavily for another chapter would have likely watered down the story. GLOW Season 3 is not the strongest in the series, but it certainly grasped its longevity. While GLOW is not directly in Jenji Kohan’s writing universe, it feels like an extension to that world with Carly Mensch previously involved in OITNB and Weeds. It’s difficult for GLOW to put a foot wrong with the appealing characters, cheesiness and themes, and Season 3 follows the same breadth as its predecessors. The show tackles the paths of each character and active themes.Īfter the end of Orange Is the New Black, GLOW Season 3 is everything that we needed to numb the slight pain that comes from losing a staple Netflix series. What's hot:Īside from the immensely relatable Brie, there is some outstanding acting from comedian Marc Maron, who plays the director of "GLOW" Betty Gilpin, as a soap actress-turned-wrestler and Ruth's good friend (until she's not) and Britney Young, who plays the gentle giant, Carmen, who's part of a wrestling legacy.GLOW Season 3 is noticeably not the strongest in the Netflix series, but it certainly recognizes the need to develop the characters to ensure longevity in the story. There's some pretty big TV players behind "GLOW." Its executive producers' credits include "Orange Is the New Black," "Nurse Jackie," and "Homeland." And if you were a major fan of the original '80s show, it's fun to see how something like that came together. It stars "Community" star Alison Brie as Ruth, an out-of-work actress who answers a casting call for "unconventional women." Excited that the audition isn't for a pornographic film, Ruth sticks it out to become one of a dozen strange women who'll build America's first professional women's wrestling organization. ![]() Netflix's new comedy "GLOW," which stands for "Gorgeous Ladies of Wrestling," is based on the low-budget hit women's wrestling organization and TV show of the same name from the 1980s. ![]()
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